Monday, March 12, 2012



This study is a diagrammatic breakdown of the relationship between the camera and the car within the construct of the first scene of the Dukes of Hazzard.  Simplifying the constituents of the procedural sequence allows for a concise examination of the bare bones of the scene's morphology.  The next step will be to reconstruct these brief moments into a linear sequence to examine the camera's relation to the overall line.